What is to be done?

This is a response to Liz Morrish’s article on whether universities “are meaningful to the academics who work within them“. You should read the whole article, but the crux of it is here:

In the McCarthyite era it was the army and Hollywood which were in the front line of political persecution. This time it is scientists who are finding that their notions of working in an objective, apolitical enclosure have been disrupted by Donald Trump’s attacks on their right to report valid climate change research.  Scientists are now being drawn into political action committees to face down potential threats to funding for the Environmental Protection Agency and, perhaps, to the teaching of evolution in publicly funded schools.

While we stand with beleaguered scientists, I hope we can also defend experts in nuclear and apocalyptic literature in austerity Britain, and a new scholarship of authoritarianism  because we must all be vigilant to make sure universities continue to be sites of resistance to the rollback of the enlightenment.

This is a quick response, following the engineering practice that good enough today is better than perfect tomorrow.

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So now engineers are jihadis too?

[This post is to be treated as a draft rather than a fully-developed position: so I welcome comments, and requests to expand points, and may well change my mind about certain things.]

Not for the first time, the argument is being made that STEM turns its graduates into uncultured oafs, recoverable only through the application of the mind-soothing balm of the humanities. This time, however, it’s serious: Paul Vallely, citing a British Council study, claims that there is `“an engineering mindset”, which makes science students easier prey for terrorist recruiters.

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War on the humanities, again

The THE reports that leading historian Professor Peter Mandler has delivered a paper on the “crisis in the humanities”, concluding that there isn’t one. In particular, he says:

It is hard to take too seriously talk of a crisis in Britain when even by the narrowest definition of the humanities the absolute number of humanities students has increased fivefold since 1967, and by the broader definition almost 10-fold.

In the US, over a period of much slower expansion, their numbers have still doubled…Talk of a crisis triggered by a decline in a percentage point or two does seem like an over-reaction that is likely to contribute to rather than ameliorate the alleged problem.

As well as looking at student numbers, we can look at the UK data for academic staff numbers, as a proxy for resource allocation.

hesa-1

The figure shows the percentage of academic staff in STE (Science, Technology, and Engineering), Humanities (shown dashed), and Medicine from 1994 to 2008, using the freely available HESA data sets. The break in the curves corresponds to a change in the reporting of data. The details of how staff numbers were assigned to the three categories are given in a separate PDF.

The first part of the plot shows a drop in the percentage of STE staff, which might correspond to the closure of Chemistry departments over that time (the data for these years are not broken down to subject level), while Medicine rises, and Humanities are fairly steady.

After the change in reporting methodology in 2003, Medicine has about the same proportion of staff as before the change, while Humanities increases markedly and STE reduces. Clearly, this is an artifact of the breakdown of data and does not indicate real changes in the proportion of academic staff in STE or Humanities. The trends from 2003 onwards are validly indicated, however, and show STE and Humanities holding more or less steady.

In summary, the data from 1994 onwards show a sharp drop in STE, a rise in Medicine, and a small drop in Humanities.

Crisis in the humanities? What crisis?

Linebaugh, Taylor and Roddick for engineers

This is a set of brief notes which I issued to engineering students on a now defunct degree, as part of a class on the social context of engineering. This is converted from a LaTeX file which accounts for the lack of direct links to references.

Chips and ships …

At the end of the eighteenth century, workers in the naval shipyards of London were paid, if they were lucky, twice a year. Their wages were subject to various deductions for on-site services (the resident surgeon was paid from the men’s wages) and for disciplinary offences (football, cricket, absence from roll calls). Furthermore, wages were often not paid at all—in 1767, wages were fifteen months behind—and since sacked workers did not receive their back pay, there was little incentive to strike (The material on the London shipyards is taken from Linebaugh, 2003).

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Turbulence and Noise

I have produced some notes for a final year aerospace engineering unit on Turbulence and Noise (PDF). The introduction reads:

This is not a textbook and should not be read as one. It is a set of notes written for a final year unit at the University of Bath, with the aim of introducing aerospace engineering students to the extra concepts, mainly mathematical, which they will need in order to be able to read research papers in turbulence and noise. These papers are a mixture of classic work, such as Lighthill’s analysis of aerodynamically-generated noise, and more recent studies which apply state-of-the-art techniques to hard problems, and either extend our understanding of the physics, or give us completely new insights, in a way not previously possible.

The notes are written fairly informally, to give some intuitive sense of the concepts, as an aid to getting started on the real thing. Having read about correlation functions, for example, you will be in a position to read a paper which makes use of them, but that does not mean you will find it easy. You will find it possible, and the more papers you read, the deeper the understanding you will develop as you see how different people have made use of the same techniques. In practice, any writing of substance will require multiple readings, and will reveal more of itself under each reading.

Turbulence and acoustics are difficult, and you will not master them on this unit. You will have to work hard on ideas which will not be obvious, and were not obvious to the smart people who developed them. You will often feel stupid and confused, and you will wonder why you are doing this. You are doing this because it is worth it: you are taking on a difficult topic which some of the brightest people in history have found hard, but have nonetheless been able to contribute to.

Feeling stupid means you are working on something worth the trouble: if you want to feel clever, watch Sesame Street or read the Daily Mail.

If we tax them, creative people will not innovate

In the 1960s, the top rate of income tax in the UK was 90%. Alec Issigonis had designed the Mini; the fastest bike on the road was built in Stevenage; the Rolling Stones and the Beatles were in full flow.

Today, the top rate of income tax is 45%. The Mini is built by BMW; the fastest bike on the road is Italian; Coldplay release a new album tomorrow.

Why I ride

[Written for another purpose and not used. May as well blog it.]

According to the relevant chronicles, a thousand years ago Irish monks used to have themselves set adrift in a boat with no sail or rudder, that God might choose where they would end up. You might think that only a devotion to some higher calling would induce anyone to throw themselves at the mercy of fortune’s good graces with no reliable means of setting a heading and such eejits are not to be found nowadays.

In 1932, one Robert Edison Fulton Jr., trying to impress an attractive woman in London, said that he intended to ride home to the United States on a motorcycle. The president of the Douglas motorcycle company was present, and offered him a bike for the trip. When Fulton later regained consciousness in Turkey, he examined the evidence and concluded that the bridge he had been crossing was unfinished. Examining his motorcycle, he found that “the only damage I could find was a slightly bent front fork which thereafter tended to turn the machine in circles to the right.”

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How do you mooc a project?

`Technology’, pace the scuttering gobsheens of hipsterismo eroico, snug and smug in their rolled-up jeans and heavy-rimmed spectacles, is not the collective noun for the latest beeping, whistling gewgaw from some fruit-monikered design house. It is all of the objects that let us be human. Rejecting technology means eating worms and in-season plants dug from the ground with your bare hands, your naked hairy body kept warm only by a layer of filth. R. R. Wilson famously said of Fermilab that it had “nothing to do directly with defending our country except to help make it worth defending.” Technology does not make our society worth defending; it makes our society.
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